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I talenti di Accademia Galli animano Milano unica e Bit

With the aim of selecting and supporting emerging textile design talent, Texprint has developed new opportunities with industry partners to help the best British-trained graduates reach their potential.

Alla borsa internazionale del turismo il laboratorio con gli studenti del corso di Fashion & Textile Design dell'Accademia Galli, per presentare un nuovo modello di turismo > A New World of Fashion Textile.

Un laboratorio live condurrà a una collezione dall'Accademia Galli al Setificio, uniti da comON.

La Provincia incontra i giovani designer internazionali che hanno trovato in comON il proprio trampolino di lancio.

Born in Japan, trained in UK as a textile print designer. Because of love of traveling, I usually get my design inspiration from my travel and experiences I've faced while traveling. Using photography to my digital print, I make subtle, moody, conceptual, yet colourful digital print designs.

My name is Ingrid Skåland Eriksen, im 31 years old and I study Fine art at Bergen Academy of Art and Design. Weaving is my main interest, and I would love to learn more about how the industry work, experimenting with different techniques, patterns and expressions. Earlier I used to weave textiles in damask and silkprint the warp, inspired by old traditional patterns and trying to modernize them and make them my own. Late 2010 I resived a scholarship giving me the time and money to study Indian Ikat technique, so I went to Vest-India for two months and saw fantastic samples of single and double Ikat textiles. Now that I study art I want to experiment and learn as much as possible. I want to work three-dimensional, and make long lengths

My name is Elisabet Frick and I have just finished my bachelor degree in textile design at the Royal Danish Academy of Fine Arts – School of Design. In my bachelor project I worked with a collection of four conceptual rugs, where my intention was to create a textile showpiece for a spatial context. Prior to my bachelor studies at the School of Design I studied a two year foundation program in design, art and architecture. Within the field of textile I am fascinated and interested in how material, color and shape come together in textile constructions. My methods of visualizing my ideas are in weaving and other textile construction techniques. The focus in my work and studies is the architectural and atmospheric aspects of textiles.

In my work I focus on the handcrafted methods of creating textiles. In my work I am looking for the timelessness that has soaked in the almost rough textures during the long process of, for instance, weaving threads to an independent image. In my previous work, this meant the weaving of a thread as the expression of a scar, the imprint of a memory materialised in textile. The emotion translated to textile is an important facet in my work. Now, I am eager to learn more about bringing the handcrafted method further to an industrial method and discovering new possibilities in designing and creating textile.

Florence Angelica Colson has recently graduated from Leeds College of Art with a First class BA (Hons) in Printed Textiles and Surface Pattern Design. Her personal practice stems from a love of drawing and painting with gouache, work focused on producing intricate imagery in a delicate, detailed manner. Florence then translates drawings into designs through digital manipulation, ensuring her work preserves the quality and intricacy that inspired initial drawings, as she takes pride in retaining a hand-done aesthetic. Florence aspires to execute bold, intriguing designs, through bright colour application and ornamental detail, highlighting a harmony between hand done processes and digital print. Florence’s latest collection ‘Ornamental Agglomeration’ – features a range of designs intended for a fashion market, meticulously built from hand drawn imagery and intricate gouache paintings. The collection, printed onto luxurious silks, selected by Florence celebrates the intricacy of Victorian Ornament, an aesthetic that is seen as classically beautiful. The basis of Florence’s work is created by hand, as she applies ornate decoration to a compilation of natural forms, objects and motifs, which are then translated into designs via digital manipulation. The balance of both hand generated and digital techniques makes Florence’s design process versatile and commercially viable, yet designs still remain true to the original illustrations. Florence has already experienced recognition via selling designs at the international trade fair Indigo and had great experiences of New Designers 2013, Part 1 and the Texprint London event! Florence will be exhibiting and trading with Texprint at Indigo/ Premier Vision in Paris 17-19th September, 2013. Currently gathering imagery and designing Florence is working towards exhibiting and trading at Indigo, Paris, in September, whilst also freelance designing.

Want to get a position of fashion designer with in a fashion company or set up my own label, where I can use my design, creative skills and Enthusiasm, patience, An endless passion to develop a unique product.

Tessitura Taiana Virgilio S.p.A.

Taroni S.p.A.

Isaseta

RATTI SPA

Luigi Verga s.p.a.

canepa spa

Soup Studio è un gruppo di designer formatosi nel 2004 durante gli studi alla NABA che in seguito ad esperienze vissute insieme ha deciso di affrontare la scena professionale presentandosi come team, per avere più forza e varietà nel proprio lavoro.

Laureato in Legge, giornalista professionista, ha collaborato, tra le altre, alle pagine culturali de Il Foglio e de Il Giornale.

CECILIA LIVERIERO LAVELLI - SUPSI - Dipartimento ambiente costruzioni e design Responsabile del corso di laurea

Painè Cuadrelli per il percorso Creatività Permanente

Antonio Scuderi e' l'amministratore delegato di "24 Ore Cultura" e di "Alinari 24 Ore".